The pianist in the recording, Otis Spann, is definitely a blues piano legend. Due to music copyright laws, also please keep questions focused on material in the PWJ catalogue. Jazz pianists use a technique call enclosure to create these purposeful changes in direction. This is due to copyright rules. In this lesson I am assuming that you know what a BB7 is and how to play over it and is somewhat familiar with arpeggios, chord tones and a minor pentatonic scale. 2006 Blues Brothers Minnie the Moocher . 1-20 of 44 Jazz Piano Licks & Riffs ... 2003 Miles Davis So What . We are going to look at some licks that make use of Blues phrasing and scale and some jazz lines. The result are lines that will fit in both a Jazz and a Blues context, and you can probably put them to use in a lot of jazz standards as well. If you want to learn techniques to generate your own licks, I recommend our 10-Lesson Blues Challenge (Beginner/Intermediate, Intermediate/Advanced). From there the line continues with a jazz line that starts on the 5th(F) and skips up to the 9th(C) from where it descends adding a chromatic passing note and finally comes to ret on the 5th. Course Description Course Content Lessons Status 1 10 Jazz and Blues Licks 2 10 Jazz and Blues Licks 3 Groove Extension and Improvisation 4 Advanced Jazz & Blues 1 5 Advanced Jazz & Blues 2A 6 Advanced Jazz & Blues 2B 7 2-5-1 Major Licks (ii-V-I) 8 2-5-1 Minor Licks (ii-V-I) Note that in the chord shell for C6, the 6th is substituted for the 7th, just as in the 7th chord. Try us out completely free for 14 days! When this scale is played in descending 8th notes, the notes placed on the downbeats outline a Dominant 7th chord. This particular blues riff for piano is based on the Dorian mode and dorian chords. Another approach would be to take a part of a line and compose 10 new lines that use that part. Let’s take a look at another jazz piano lick. Usually the melody will skip between chord notes. At the core of this lick is the ascending G Dominant Diminished Scale in the second measure. So what else is going on in Lick #2? Arrangements are through-composed pieces that are fully notated. Jazz Blues Guitar Licks. In today’s video I’m going to teach you a tasty lick that will be a great source material for soloing, creating melodies, and fills. You’ll learn: If you feel stuck when it’s time to solo, then this Quick Tip is for you! Let’s look at the following analysis: This lick beginnings with a Dm9 chord outline in the first measure and then connects with a chromatic walk-up into the 3rd of the G7 chord in the second measure and proceeds to ascend the G Dominant Diminished Scale. If you didn’t realize it, rock music takes its roots from the … 2003 Oscar Peterson Oscar Peterson-style Arpeggios . Learn how to play "The Lick" on piano. This page allows you to filter by content type, skill level and learning focus. Listening to jazz, learning solos by ear, or learning jazz standards. Note that the ♮7 and 4 (weak tone) occur on upbeats as passing tones. View guided learning tracks for all music styles and skill levels, Complete lessons and courses as you track your learning progress, Engage with other PWJ members in our member-only community forums. This is somewhat a type of melody that is much more common or even specific to Blues. The Lick #3 analysis diagram below shows how this lick makes extensive use of upper and lower enclosures to target chord tones. It's jazz music's biggest cliche and inside joke. First half of bar 1 is a D dim triad and from there the line continues with a part of an F minor pentatonic scale. In general, you can use a C6 interchangeably with a C Major 7, although in some cases your melody might suggest one or the other. If this scale is new to you, it may sound unusual to the ear at first, but it sounds excellent in the context of improv over a Dominant 7th Chord. The 5 Jazz Blues licks. 2014 Miles Davis Flamenco Sketches . Submit your request below and we'll add it to our workshop request list. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. The backdrop of the Bb7 is the Bb mixolydian or Eb major scale: Since we are using the basic Bb7 chord then the arpeggio of that is also useful: But since we are playing blues the Bb minor pentatonic is also a useful place to look for melodies. Smartsheets use the Soundslice sheet music player to give students digital access to all arrangements and lesson sheet music. You could also choose play this progression using more advanced rootless voicings. Finally, the third measure outlines a C Major 9 chord with the D♭ acting as a chromatic upper neighbor to the C on beat 3. The "30 Must-Have Blues Piano Licks" Blues transcription and bass arrangements: Uwe "ukaykeys" Karcher Jonathon Wilson.=132 & \ \ E.! The Dominant Bebop scale adds the ♮7 into the Mixolydian scale while keeping the ♭7, making it an 8-note scale: 1-2-3-4-5-6-♭7-♮7, or G A B C D E F♮F♯. You can also check out my Bb blues solo lesson with a 4 chorus transcription + lesson: If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter: You can also download the PDF of my examples here: Join 600+ Other Jazz Guitarists Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup. Before we get into the licks, we need to set a harmonic context. The third measure outlines a C Major 9 and the last measure lands on a super hip #11 before resolving to a couple chord tones. That’s what this Quick Tip is all about! Become a better piano player today. In the second measure of Lick #1, I switch to the Major Blues Scale as I change directions. If you have a non-music related question or comment, please use our support desk. In some cases, either chord shell will fit. Subscribe to a membership plan for full access to this Quick Tip's sheet music and backing tracks! My blues piano mentor, Bruce Katz, and I, got together and we made a course where we break down all these cool little blues licks and blues reharmonizations and how to throw blues into jazz and Ray Charles concepts and you name it. That is the best way for me to improve my lessons and make them fit what you are searching for. In the first example I am walking up the arpeggio from the 5th to the root and from there we get a typical blues cliche that is using an Eb/Bb like suspension with double stops. The Dominant Diminished Scale is an 8-note scale used to improvise over Dominant 7th chords and is constructed of alternating half-steps and whole-steps beginning with a half-step. Visit our support desk to search our knowledge base or contact us for support related inquiries. The resulting scale features three altered chord extensions—♭9, ♯9, ♯11. One important characteristic of authentic jazz lines is an angular shape, with purposeful change of direction. The 2nd haf of the line is again using double stops and using the cliche chromatic movement of a minor 3rd interval from the 3rd and 5th to the b7 and 5th. But if you want some quick and helpful rewards for your time investment, learning licks is a great way to go. Jazz Blues Licks in Bb.pdf PDF. Jul 14, 2018 - Download and print in PDF or MIDI free sheet music for Blues Licks by Lessons - Blues arranged by DIM for Piano (Solo) More information Jonathon Wilson collected these 30 blues licks, and by putting them on Musescore you can transpose them into any key you want. Since the enclosure begins with the upper neighbor, it is called an upper enclosure. The core of this lesson is of course the 5 licks that contain some of the characteristic melodies, phrasing and techniques found in Blues mixed with arpeggios, extensions and chromatic passing notes that you find in Jazz. Smartsheets provide audio playback, light-up key notation, transposition, looping, and other learning tools. The minor pentatonic line is finally resolved to a 3rd and from there we get a small line ending the melody on the b7(Ab). Let’s take a look at one more lick and improv technique you have got to have. Licks are short musical phrases, usually played over the context of a chord or chord progression. It then continues down the arpeggio in bar 2 and ends with an encircling of the 3rd and a 6th skip up to the root. For this particular lesson, I recommend using chord shells in the left hand. The 2nd example starts out with leading notes to the 3rd(D) and uses that before it resolves to the root. For today’s lesson we’ll be using the 2-5-1 progression. PianoWithJonny was conceived with the vision of creating high-quality piano lessons that inspire people to learn and share the gift of music. Therefore is it constructed as follows: 1-2-3-4-5-6-♭7. In the last example I am starting of with a line that is basically a jazz line that is played with blues phrasing. PDF Downloads Common chords, scales, & progressions; Syllabuses Syllabuses to guide … Step 2: Upload your video to YouTube. If you have any questions, comments or suggestions for topics then please let me know. The first lick we’re going to learn today is based on a G Dominant Bebop Scale. Blues is the Foundation of Rock Music. To upload your video, follow these 3 steps: Step 1: Record yourself playing; it is helpful if your recording highlights what you are struggling with. The third example is a line derived from the good old Chuck Berry Boogie Woogie pattern, but not used as a melody an octave higher. Learn to play electrifying rock piano solos in 4 steps with these improv techniques for all levels including double stops, slides, turns and more. Ultimately, the limits are in your own imagination. Take your jazz piano playing to the next level. For a more in depth study on enclosures, check out our Quick Tip on Chord Enclosures Jazz Piano Improv Exercise. Let’s check ’em out! Do you want to know what one of the biggest myths out there is when it comes to improvisation? In general blues lines can be both in the chord (so mixolydian) or strictly blues from the minor pentatonic scale. Take a look at the shells I have chosen below for this progression. Nice job! You’re ready to try this lick with the backing tracks that accompany this lesson. Join over 200,000 piano players who get free lessons twice a week. Thanks for learning, and I’ll see you in the next piano lesson. These simple techniques will help the amateur pianist improvise contemporary piano lines that sound refined and professional. Oscar Peterson – How To Play Piano Blues Licks on the Guitar. If you want to take a deep dive on this topic, check out our course Scales for Improv on 7th Chords. Leave a comment on the video or  send me an e-mail. All the examples are in the key of Bb, so they are thought from the Bb7 chord. The melodies that skips a 6th up or down are very common to the blues. You can download the backing track in three different tempos and the lesson sheet for this Quick Tip from the bottom of this page after logging in with your membership. From there it goes on with a leading note line connectinfg the 9th to the 3rd and the the first 3 note motief that now resolves to the 5th of Bb. Lessons. Complete Beginner: You have never played piano or are just starting your learning journey. This little riff relies on the ‘blue’ note, the D#, to create a colourful twist on an otherwise simple repeating rhythm. 2014 Bill Evans Bill Evans-style II-V-I lick . Blues with also contain leading notes, but the melodies tend to be based more on the basic chord notes (the triad maybe the 7th) than extensions which gives them a more rooted sound. The second bar is coming more from the mixolydian sound but then using slides to keep the bluesy feel. How to Easily Memorize Hundreds of Jazz Songs. Neighbor notes are the notes either a half-step or whole-step above and below the target note. A chord shell is a two-note, left hand piano voicing comprised of a chord’s root and 3rd or root and 7th. In the 4th line I start out with a 3 note motief that is played twice befor the line continues down the minor pentatonic scale to the root. The example below is a chromatic lower enclosure because the enclosure begins with the lower neighbor. Let’t look closer now at the G Dominant Diminished Scale that is used with G7. Get them delivered to your inbox. If so, I've definitely found someone who can help you. 0 : 09 Add to collection Step 3: Copy the link to your video in the field below. And you can improv over a slow blues groove with just one scale! The goal of this lesson is twofold: 1. Memorize hundreds of jazz songs by learning 8 common chord progressions found in jazz fake books. All rights reserved. The following jazz guitar licks are played over the first four bars of a jazz blues chord progression in F. Lick 42. If you don't want your video to be viewable to the public, please set it to Unlisted (not private). neighbor notes (a half-step from the target note and not necessarily from the parent scale). The best way to work on the material I went over here is to take the examples and trying to make them into my own lines. Let’s listen to our final example and then I’ll explain this technique in detail. Now, let’s practice Lick #3 slowly together at 70 BPM. You may also want to check out our course on Piano Chord Alterations. Late Intermediate to Advanced: You are more confident with music theory and can play several challenging pieces. Jazz Piano Licks & Riffs One riff that you may hear in many different types of jazz is the one shown below. Enclosure is a melodic technique jazz musicians use to lead to a chord tone by preceding the target note with its neighbor notes. In actual practice, improvised lines are not “spontaneously composed” as much as they are “spontaneously recalled.” This is a significant distinction, especially since jazz language parallels spoken language. I have included the scale and corresponding diatonic chords in C Major below: If you need a refresher on how to find these root position 7th chords, you’ll find our course on Diatonic 7th Chord Exercises to be a great resource. The Mixolydian mode is most easily understood as a Major scale modified by a ♭7. Blues Etude 1 – F Blues 132bpm Solo. Jazz Blues Licks in F.pdf PDF. Enclosures can use diatonic neighbor notes (derived from the same parent scale as the target note) or chromatic neighbor notes (a half-step from the target note and not necessarily from the parent scale). You can also access the Smart Sheet Music for this lesson with your PWJ membership which allows you to transpose these licks into any key with one click.